Contents
Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
by Yen-Jung Chang
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Animated Documentaries as Masking: When Exposure and Disguise Converge
by Nea Ehrlich
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The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
by Sheuo Hui Gan
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Animating unique brain states: The animated documentary and ‘psychorealism’
by Samantha Moore
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Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
by Javad Khajavi
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Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
by Shannon Brownlee
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The Secret of Kells, a film for a post Celtic Tiger Ireland?
by Maria O’Brien
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“An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman Mclaren
by Aimee Mollaghan
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Tradigital Mythmaking: New Asian Design Ideas for Animation
by Hannes Rall
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Woody’s Roundup and Wall-E’s Wunderkammer: Technophilia and Nostalgia in Pixar Animation
by Colleen Montgomery
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Actors in Sin City’s Animated Fantasy: Avatars, Aliens, or Cinematic Dead-ends?
by Pierre Floquet
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Complete Volume
The complete volume will become available for download as PDF by the end of the year.